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The eight papers in this volume examine the spatial organization of a variety of Austronesian houses and relate the domestic design of these houses to the social and ritual practices of the specific groups who reside within them. The houses considered in this volume range from longhouses in Borneo to the meeting-houses of the Maori of New Zealand and from the magnificent houses of the Minangkabau of Sumatra to the simpler dwellings of the population of Goodenough Island in Papua New Guinea. Together these papers indicate common features of domestic design from island South-East Asia to Melanesia and the Pacific. This volume is a publication of the Research School of Pacific Studies' Comparative Austronesian Project.

Architecture, Domestic --- Vernacular architecture --- Social aspects --- Vernacular architecture. --- Architecture, Rural --- Domestic architecture --- Home design --- Houses --- One-family houses --- Residences --- Rural architecture --- Villas --- Architecture, Anonymous --- Architecture, Indigenous --- Architecture, Vernacular --- Folk architecture --- Indigenous architecture --- Traditional architecture --- Architecture --- Dwellings --- Southeast Asia --- Social life and customs. --- Southeast Asian --- Domiciles --- Homes --- Residential buildings --- Single-family homes --- Buildings --- House-raising parties --- Household ecology --- Housing --- Social life and customs --- Architecture vernaculaire --- Architecture domestique --- Habitations --- Aspect social --- Asie du Sud-Est --- Mœurs et coutumes

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Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement.Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture.

Architecture and recreation --- Buddhist architecture --- Tange, Kenzō, --- Lek Wiriyaphan. --- Fazhao, --- Architecture, Buddhist --- Architecture and leisure --- Leisure and architecture --- Recreation and architecture --- Fa Zhao, --- 法照, --- Wiriyaphan, Lek --- 丹下健三, --- Religious architecture --- Recreation

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The eighteenth century struggled to define architecture as either an art or a science-the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual.In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum.Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.

Architecture and philosophy --- Philosophy, German --- Architecture and literature --- German literature --- Philosophy and architecture --- History. --- History and criticism. --- Philosophy --- Literature --- Literature and architecture --- European history

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This book examines the mutual influence of architecture and human action during a key period of history: the Hellenistic age. During this era, the profound transformations in the Mediterranean’s archaeological and historical record are detectable, pointing to a conscious intertwining of the physical (landscape, architecture, bodies) and social (practice) components of built space.Compiling the outcomes of a conference held in Kiel in 2018, the volume assembles contributions focusing on Hellenistic architecture as an action context, perceived in movement through built space. Sanctuaries, as a particularly coherent kind of built space featuring well-defined sets of architecture combined with ritual action, were chosen as the general frame for the analyses. The reciprocity between this sacred architecture and (religious) human action is traced through several layers starting from three specific case studies (Messene, Samothrace, Pella), extending to architectural modules, and finally encompassing overarching principles of design and use. As two additional case studies on caves and agorai show, the far-reaching entanglement of architecture and human action was neither restricted to highly architecturalised nor sacred spaces, but is characteristic of Hellenistic built space in general.

Architecture, Hellenistic --- Architecture and society --- Sacred space --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Holy, The --- Religion and geography --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Hellenistic architecture --- History --- Social aspects --- Human factors --- E-books --- Architecture, Hellenistic. --- History.

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Central Javanese temples were not built anywhere and anyhow. On the contrary: their positions within the landscape and their architectural designs were determined by socio-cultural, religious and economic factors. This book explores the correlations between temple distribution, natural surroundings and architectural design to understand how Central Javanese people structured the space around them, and how the religious landscape thus created, developed. Besides questions related to territory and landscape, Degroot's book analyzes the structure of the built space and its possible relations with

Temples --- Architecture --- Church architecture --- Religious institutions --- Java (Indonesia) --- Djawa (Indonesia) --- Jawa (Indonesia) --- Pulau Jawa (Indonesia) --- Greater Sunda Islands --- Buildings, structures, etc. --- Religious architecture